T-Pace  > 

 

See also:

• T-PACE
  • Works by T-PACE members
  • The project
  • Workshops
  • Selected reading
• Raymond Chandler on screen
• David Lean conference

T-PACE: Selected reading

Balint, M. (1959). Thrills and Regressions. London, Hogarth Press.

Barkin, L. S. (1995). The concept of the transitional object. Between Reality and Fantasy. S. A. Grolnick and L. S. Barkin: 511-536.

Bergman, A. (1995). From mother to the world outside: the use of space during the separation--individuation phase. From Fantasy to Reality. S. A. Grolnick and L. S. Barkin: 147-165.

Bingley, A. (2003). "In here and out there: sensations between Self and landscape." Social and Cultural Geography 4(3): 329-345.

Bollas, C. (1993). The aesthetic moment and the search for transformation. Transitional Objects and Potential Spaces. P. L. Rudnytsky: 40-49.

Caldwell, L., Ed. (2000). Art, Creativity, Living. Winnicott Studies Monograph Series. London, Karnac Books for the Squiggle Foundation.

Clarke, G. (1994). "Notes towards an object-relations approach to cinema." Free Associations 4(3): 369-390.

Grolnick, S. A. and L. S. Barkin, Eds. (1995). Between Reality and Fantasy: Winnicott's Concepts of Transitional Objects and Phenomena. Northvale, NJ, Jason Aronson, Inc.

Harrington, C. L. and D. Bielby (1995). Soap Fans:  Pursuing Pleasure and Making Meaning in Everyday Life. Philadelphia, PA, Temple University Press.

Konigsberg, I. (1996). "Transitional phenomena, transitional space: creativity and spectatorship in film." Psychoanalytic Review 83(6): 865-889.

Lebeau, V. (2009). "The arts of Looking: D.W.Winnicott and Michael Haneke." Screen 50(1): 35-44.

Milner, M. (1993). The role of illusion in symbol formation. Transitional Objects and Potential Spaces. P. L. Rudnytsky: 13-39.

Ogden, T. H. (1985). "On potential space." International Journal of Psycho-Analysis 66(2): 129-141.

Pajaczkowska, C. (2007). On humming: reflections on Marion Milner's contribution to psychoanalysis. Winnicott and the Psychoanalytic Tradition. L. Caldwell. London, Karnac: 33-48.

Philo, C. and H. Parr (2003). "Introducing psychoanalytic geographies." Social and Cultural Geography 4(3): 283-293.

Rudnytsky, P. L., Ed. (1993). Transitional Objects and Potential Spaces: Literary Uses of D.W. Winnicott. New York, Columbia University Press.

Sabbadini, A. (2005). "Winnicott: tra gioco e creativita." Eidos 3: 6-8.

Schwartz, M. M. (1992). "Introduction: D.W. Winnicott's cultural space." Psychoanalytic Review 79(2): 169-174.

Silverstone, R. (1993). "Television, ontological security and the transitional object." Media, Culture and Society 15(4): 573-598

Tisseron, S. (2005). "La realite de l'experience de fiction." L'Homme 3-4(175-176): 131-145.

Winnicott, D. W. (1971). Playing and Reality. London, Tavistock.

Wright, K. (2000). To make experience sing. Art, Creativity, Living. L. Caldwell. London, Karnac Books: 75-96.

Young, R. M. (1989). Transitional phenomena: production and consumption. Crises of the Self: Further Essays on Psychoanalysis and Politics. B. Richards. London, Free Association Books: 57-72.